Blown Covers

  New Yorker covers you were never meant to see
“If you had told me when I began that I would have my work on a museum wall, I would have thought, ‘What’s happened to civilization?’ ” says Daniel Clowes, the artist behind this week’s Science Fiction Issue cover, “Crashing the Gate.” A retrospective of Clowes’s work is on view at the Oakland Museum of California.
“It feels like I snuck in a museum through a side door somehow. For all the painters and sculptors I went to art school with, to slip into a museum through comics might seem very clever and dishonest.” He laughs. “But now that I’m at the top, I can only go down. it’s hard not to feel like, ‘They gave me my retirement party.’ A big career retrospective seems like a thing you should only get when you’re seventy-five or so.”

“If you had told me when I began that I would have my work on a museum wall, I would have thought, ‘What’s happened to civilization?’ ” says Daniel Clowes, the artist behind this week’s Science Fiction Issue cover, “Crashing the Gate.” A retrospective of Clowes’s work is on view at the Oakland Museum of California.

“It feels like I snuck in a museum through a side door somehow. For all the painters and sculptors I went to art school with, to slip into a museum through comics might seem very clever and dishonest.” He laughs. “But now that I’m at the top, I can only go down. it’s hard not to feel like, ‘They gave me my retirement party.’ A big career retrospective seems like a thing you should only get when you’re seventy-five or so.”

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    Always remember.
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    Daniel Clowes cover illustration for the science fiction issue of The New Yorker. “If you had told me when I began that...
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